Beyoncé Setlist — All the Songs on Her Cowboy Carter Tour (2025)

Beyoncé Rides into a New Era: The Cowboy Carter Tour Takes the Stage

The arrival of a new Beyoncé tour is more than just a concert announcement; it’s a cultural event horizon. Following months of speculation and the monumental success of her eighth studio album, Cowboy Carter, the global superstar confirmed her return to the world’s stages with the Cowboy Carter Tour in 2025.¹ Officially announced around February 1-2, 2025, teased initially via a cryptic Netflix tweet referencing the album’s lyrics before exploding across Beyoncé’s official website and social media channels, the tour marks her ninth concert outing and fifth all-stadium spectacle.¹

Spanning continents and arenas, the Cowboy Carter Tour commenced its 32-show run under the California lights at SoFi Stadium in Inglewood on April 28, 2025.¹ Its ambitious itinerary includes multi-night stands in major US cities like Chicago, East Rutherford, Houston, Landover (for Washington D.C.), and Atlanta, before crossing the Atlantic for dates in London’s Tottenham Hotspur Stadium and Paris’s Stade de France, ultimately concluding with a two-night finale at Allegiant Stadium in Paradise, Nevada, on July 26, 2025.¹ Some dates were added after the initial announcement, reflecting the high demand, including an extra show in Atlanta and the final Las Vegas dates.⁶

This tour serves as the vibrant, live embodiment of Cowboy Carter, the critically lauded album released March 29, 2024.¹⁷ Hailed as Act II in Beyoncé’s ongoing three-part project that began with 2022’s Renaissance ¹⁷, Cowboy Carter transcended genre, blending country, western, Americana, blues, folk, R&B, zydeco, rock and roll, and more into an ambitious exploration of American musical history through the lens of its Black pioneers.¹⁷ The album achieved universal acclaim, boasting a Metacritic score of 91/100, topping numerous year-end lists, and securing the coveted Grammy Awards for Album of the Year and Best Country Album in February 2025.³ The tour itself carries a name rich with historical resonance: the “Cowboy Carter and the Rodeo Chitlin’ Circuit” tour, explicitly honoring the network of venues that sustained Black performers during the era of segregation.²¹ Following the groundbreaking Renaissance World Tour of 2023 ²¹, anticipation for the live translation of Cowboy Carter‘s rich tapestry reached fever pitch among the BeyHive and the wider music world.¹

The timing of the tour’s unveiling appears deliberately calculated for maximum resonance. Announced in the immediate lead-up to and aftermath of the 2025 Grammy Awards, where Cowboy Carter achieved its Album of the Year victory, the news landed amidst peak media attention and critical validation.² This strategic placement allowed the wave of Grammy buzz to directly fuel excitement and ticket sales, with presales launching shortly after the awards ceremony.¹ It suggests a meticulously planned marketing effort to launch the tour from a position of unparalleled cultural dominance.

Furthermore, the Cowboy Carter Tour functions as more than just a promotional vehicle for the latest album. It serves as a vital connective thread within Beyoncé’s ambitious three-act project.¹⁷ By heavily incorporating music from both Renaissance (Act I) and Cowboy Carter (Act II) into the setlist, and even featuring explicit transitional moments between the two eras during the show ⁴, the tour actively works to solidify the overarching narrative live. It invites the audience to experience the sonic and thematic dialogue between the two distinct, yet related, explorations of Black musical history and resilience, reinforcing the trilogy’s conceptual framework on stage.

Act I: The Spectacle Unfolds – Opening Night at SoFi Stadium

The world turned its eyes to Inglewood, California, on April 28, 2025, as Beyoncé launched the Cowboy Carter Tour at the sprawling SoFi Stadium.¹ Setting the stage for the multi-sensory experience to come, the night began without an opening act, allowing the anticipation to build until Beyoncé herself took command around 8:15 PM. For nearly three hours—specifically, 2 hours and 45 minutes—she held the capacity crowd captive, delivering a performance that blended intricate production with raw emotion.⁴

Even before the first note, glimpses of the tour’s visual ambition were shared. Via social media, Beyoncé unveiled a preview of the stage design: an elaborate, star-shaped main platform extending into a pointed runway, promising the high production value and intricate designs characteristic of her previous world tours like Renaissance and Formation.¹ This central structure was dominated by a giant video screen, a canvas for stunning visuals, thematic messages—like the defiant “Never ask permission for something that already belongs to you” flashed during “The Star-Spangled Banner”—and the premiere of previously unseen visuals accompanying the Cowboy Carter tracks.⁵ Fan discussions even noted the practical design considerations, speculating on the integration of tunnels and stairs for performer access, mindful of potential view obstructions seen in past tours.³⁸

The performance itself was punctuated by moments of pure spectacle. Beyoncé took flight multiple times, soaring above the audience first on a giant, illuminated horseshoe during the poignant “Daddy Lessons,” and later navigating the stadium airspace in a custom flying car.⁴ This aerial artistry recalled, yet distinctively updated, the memorable image of her riding the silver horse Reneigh during the Renaissance World Tour.³² Specific staging choices further amplified the night’s narrative: she delivered “America Has a Problem” from behind a presidential-style news podium, commanded a throne as a giant robot arm poured her a drink during the explosive “Ya Ya,” utilized a secondary stage near the back of the venue for an ecstatic rendition of “Cuff It,” and kicked off “Texas Hold ‘Em” atop a prop big rig truck.⁵ The show concluded its main set with the striking image of a masked replica of the Statue of Liberty’s head positioned center stage.⁵

Central to the night’s emotional core were appearances by Beyoncé’s daughters. Blue Ivy Carter, now 13 and described as a “seasoned performer,” joined her mother multiple times, taking center stage for a dance break during “Deja Vu” and contributing to the high-energy performances of “America Has a Problem” and the dance-focused sequence in Act IV.⁴ Perhaps the most touching moment came with the reported stage debut of seven-year-old Rumi Carter, who appeared alongside her mother and sister during the tender ballad “Protector,” a song featuring Rumi on the album and lyrically dedicated to maternal love.⁴ A montage featuring all three children—Blue, Rumi, and twin brother Sir—later played on the screens, amplifying the themes of family and legacy woven throughout the show.⁴²

Fashion, always a crucial element of a Beyoncé tour, was anticipated with immense excitement, especially following the Renaissance World Tour‘s reported 148 looks and $187 million media impact value.⁴⁸ For the Cowboy Carter Tour, reports indicated a staggering $2.7 million wardrobe budget, featuring confirmed custom pieces from Alexander McQueen (estimated between $21,600 and $30,200 each) and potential collaborations with houses like Chloe, Isabel Marant, and Louis Vuitton, all known for their Western-inspired designs.⁴⁸ The predicted aesthetic, dubbed “Rodeo Futurism,” aimed to fuse classic Americana and Western motifs—denim, leather, fringe, cowboy hats, boots—with the modern, avant-garde drama expected of a Beyoncé spectacle, a departure from the silver, chrome, and futuristic themes of Renaissance.²¹ Pre-tour visuals had already teased this direction, showcasing looks like an all-white rhinestone bodysuit and chaps by equestrian wear designer Lindsey James, paired with a custom bull medallion belt by Frolov.⁵¹ On opening night, specific outfits confirmed this vision: a bedazzled bodysuit carried her through the energetic dance sequences of Act IV (“Desert Eagle” to “Sweet Honey Buckiin'”), while the show’s final stretch saw her command the stage in denim short-shorts paired with striking furry thigh-high boots for the run from “Texas Hold ‘Em” through “Before I Let Go”.⁵

These elaborate production elements—the dynamic stage, the aerial feats, the specific props and visual cues—function beyond mere decoration. Within the context of Beyoncé’s performance history, known for its thematic richness and meticulous execution ¹⁶, these choices act as powerful narrative devices. The Cowboy Carter album itself is a journey through American history and culture, reclaiming and reframing narratives.⁵ Therefore, singing “America Has a Problem” from a news desk directly engages with themes of media and power potentially carried over from Renaissance.⁵ Flying on a horseshoe during “Daddy Lessons” visually anchors the performance in the Western aesthetic.⁴ The presence of the Statue of Liberty head bookends the show’s exploration of “American” identity initiated by “AMERIICAN REQUIEM”.⁵ The spectacle, therefore, is not incidental but integral to the storytelling, providing visual metaphors and context that deepen the impact of the music and lyrics.

Similarly, the prominent inclusion of Blue Ivy and Rumi Carter transcends a simple family affair. Performing “Protector” with Rumi, whose voice and laughter feature on the album track about motherhood and lineage, brings the song’s core message to life in a profoundly visual and personal way.⁴ Blue Ivy’s active participation in demanding tracks like “America Has a Problem” and her featured dance break position her as an inheritor and contributor to the artistic legacy being celebrated.⁴ Given that Cowboy Carter delves deeply into themes of ancestry, history, and generational continuity ¹⁸, presenting this intergenerational performance on stage becomes a powerful statement. It visually reinforces the tour’s exploration of legacy, the passing down of cultural heritage, and the celebration of Black excellence across generations.

Act II: The Official Setlist – Every Song from the Cowboy Carter Tour Opener

Compiling the definitive setlist for a tour opener often involves synthesizing information from various reliable sources. Reports from the April 28, 2025, show at SoFi Stadium via outlets like Just Jared ⁴ and Uproxx ³⁷, alongside the meticulously detailed fan-sourced data from Setlist.fm ³⁵, provide a comprehensive picture of the night’s musical journey. While minor discrepancies exist—for instance, some initial reports omitted brief transitions or interludes captured by Setlist.fm—the following table represents the most complete account available, structured according to the seven distinct acts reported on Setlist.fm.³⁵ It is crucial to note, as stated in early reviews, that this setlist reflects the opening night and may be subject to variations in subsequent performances.⁴

Beyoncé: Cowboy Carter Tour Setlist – Opening Night (April 28, 2025, SoFi Stadium)

(Setlist details primarily sourced from Setlist.fm, April 28, 2025 ³⁵, corroborated by Just Jared ⁴ and Uproxx ³⁷)

Spanning over 40 distinct musical moments including interludes and taped segments, the near-three-hour performance was a testament to Beyoncé’s stamina and artistic breadth.⁴ The setlist heavily showcased Cowboy Carter, featuring 18 tracks from the album, many receiving their live debut.³⁵ It also seamlessly integrated the world of Renaissance, with 7 songs representing Act I.³⁵ Beyond the trilogy, the show strategically incorporated pivotal tracks from Beyoncé’s storied career: three from the critically acclaimed Lemonade (“Freedom,” “Formation,” “Daddy Lessons”), one from the Sasha Fierce era (“Diva”), and foundational hits from Dangerously in Love (“Crazy in Love,” plus “Deja Vu” reported by Just Jared ⁴ though missing from some lists). Standalone singles “MY HOUSE” and “YA YA” also found their place, alongside four significant covers that served crucial thematic roles.⁴

IV. Act III: Inside the Music – Analyzing the Cowboy Carter Setlist Choices

The Cowboy Carter Tour setlist is far more than a collection of songs; it’s a meticulously crafted narrative, weaving together the threads of Beyoncé’s recent artistic explorations with touchstones from her past, all while centering the expansive universe of Cowboy Carter.

The heart of the show undeniably beats to the rhythm of Cowboy Carter. Performing nearly the entire album, Beyoncé fully immersed the audience in the sounds and stories of Act II.⁴ The decision to open with the soulful declaration of “AMERIICAN REQUIEM” and close the main set with the reflective “16 CARRIAGES,” followed by the spiritual encore “AMEN,” frames the entire concert experience within the album’s thematic arc of reclamation, history, struggle, and redemption.⁴ The numerous live debuts of Cowboy Carter tracks throughout the night underscored the tour’s primary purpose: bringing this new body of work to life.³⁵

Yet, the tour explicitly refuses to exist in isolation. It acts as a bridge, connecting the sonic landscapes of Cowboy Carter with its predecessor, Renaissance. Hits from Act I like “AMERICA HAS A PROBLEM,” “CUFF IT,” “I’M THAT GIRL,” “COZY,” “ALIEN SUPERSTAR,” and “THIQUE” were not mere additions but integral parts of the show’s fabric.⁴ The reported moment, about two hours in, where Beyoncé explicitly announced, “Welcome back to the Renaissance, y’all,” before launching into a suite of tracks from that album (“I’M THAT GIRL,” “COZY,” “ALIEN SUPERSTAR”), signals a deliberate structural shift, inviting the audience to revisit the energy and themes of Act I before returning to the Cowboy Carter narrative.⁵ This conscious blending reinforces the idea of a continuous artistic project unfolding across albums and tours. The inclusion of older hits further enriches this tapestry. “Formation,” “Freedom,” and “Daddy Lessons” from Lemonade resonate powerfully with Cowboy Carter‘s themes of Black identity, Southern heritage, and resilience.²² “Diva” from I Am… Sasha Fierce brings assertive female empowerment ⁶⁸, while the foundational “Crazy in Love” and “Deja Vu” from Dangerously in Love ground the performance in Beyoncé’s enduring legacy.⁷⁰ The standalone single “MY HOUSE,” released post-Renaissance, fits seamlessly with themes of self-possession and control.⁷²

The covers chosen for the Cowboy Carter Tour are particularly significant, each serving a distinct thematic purpose.

• “Blackbird” (The Beatles): This wasn’t just a cover; it was a reclamation. Paul McCartney has explicitly stated he wrote the 1968 song envisioning a Black girl facing the struggles of the Civil Rights Movement, specifically referencing the Little Rock Nine.⁷⁴ Beyoncé’s rendition, which features rising Black female country artists on the album version ⁷⁷, powerfully re-centers this original intent. Performing it live, particularly early in the setlist ⁴, serves as a poignant statement on Black artistry, resilience, and the ongoing fight for recognition within historically exclusionary spaces like the country music genre.¹⁹
• “Jolene” (Dolly Parton): Introduced by Parton herself via a spoken interlude (“DOLLY P”) on the album ²⁶, Beyoncé’s version transforms the song from a desperate plea into a confident warning.⁷⁸ The lyrical changes (“I’m warning you, don’t come for my man,” “You don’t want this smoke”) align with the themes of marital strength and defiance explored in Lemonade (often linked to the infamous “Becky with the good hair” line).⁸⁴ Parton publicly praised the reimagining, adding another layer of significance to this cross-generational country dialogue.⁷⁸ Some interpretations even suggest the rewrite reflects the perspective of Beyoncé’s mother, Tina Knowles.³⁰
• “The Star-Spangled Banner” (John Stafford Smith & Francis Scott Key): Placing the US national anthem immediately after “AMERIICAN REQUIEM” and “Blackbird” invites a complex reading of patriotism and national identity.⁴ Beyoncé’s history with the song includes the 2013 presidential inauguration performance and subsequent lip-syncing controversy, where she emphasized her perfectionism and desire to make her country proud.⁸⁷ Musical analysts have noted how 4/4 time arrangements, like those used by Whitney Houston and reportedly Beyoncé, can lend the anthem a more spiritual, “love song of country” feel compared to its traditional triple time.⁸⁸ Performing it under a screen flashing “Never ask permission for something that already belongs to you” ⁵ adds a layer of defiant ownership and commentary on belonging within the American narrative.
• “Before I Let Go” (Maze featuring Frankie Beverly): This 1981 funk/soul classic is a staple of Black American culture, synonymous with joy, celebration, and community gatherings.⁸⁹ Its inclusion near the end of the main set ⁴ serves as an uplifting moment of collective release and resilience, echoing its use during her historic 2018 Coachella performance (Beychella).⁸⁹ Frankie Beverly himself expressed admiration for her previous cover, adding legitimacy to her interpretation.⁹⁰

Beyond full covers, the setlist demonstrates a masterful use of interpolation and medleys, weaving snippets of other songs into the fabric of the main performance.³⁵ Elements of “Why Don’t You Love Me” surface in “YA YA,” parts of “Flawless” and “Run the World (Girls)” punctuate “SPAGHETTII,” “Bow Down” echoes in “MY HOUSE,” “PURE/HONEY” and “SUMMER RENAISSANCE” infuse “SWEET ★ HONEY ★ BUCKIIN’,” The Carters’ “APESHIT” appears in “I’M THAT GIRL,” and Destiny’s Child’s “Bills, Bills, Bills” is referenced in “THIQUE,” among many other examples. This technique mirrors the dense sampling and genre-fluidity that define both Renaissance and Cowboy Carter.¹⁷ Live, it allows Beyoncé to create a rich, intertextual dialogue between different eras of her work and her influences, transforming the concert into a complex sonic tapestry rather than a simple sequence of songs.

Tracing the reported seven-act structure reveals a potential narrative journey ³⁵:

• Act I: Establishes themes of identity, history, and reclamation (“AMERIICAN REQUIEM,” “Blackbird,” “Freedom,” “YA YA”).³⁰
• Act II: Confronts societal issues and asserts power (“AMERICA HAS A PROBLEM,” “SPAGHETTII,” “Formation,” “MY HOUSE,” “Diva”).⁵⁶
• Act III: Explores vulnerability, devotion, and protection (“ALLIIGATOR TEARS,” “JUST FOR FUN,” “PROTECTOR,” “FLAMENCO”).¹⁸
• Act IV: Delves into sensuality, dance, and transcendence (“DESERT EAGLE,” “RIIVERDANCE,” “II HANDS II HEAVEN,” “SWEET ★ HONEY ★ BUCKIIN'”).¹⁹
• Act V: Navigates complex relationship dynamics, blending country defiance with R&B intimacy (“JOLENE,” “Daddy Lessons,” “BODYGUARD,” “II MOST WANTED,” “CUFF IT,” “TYRANT,” “THIQUE,” “LEVII’S JEANS”).³¹
• Act VI: Reflects on the past (Renaissance era) and the nature of performance (“DAUGHTER,” “I’M THAT GIRL,” “COZY,” “ALIEN SUPERSTAR”).⁴⁷
• Act VII & Encore: Culminates in celebration, homecoming, endurance, and spiritual release (“TEXAS HOLD ‘EM,” “Crazy In Love,” “HEATED,” “Before I Let Go,” “16 CARRIAGES,” “AMEN”).⁶⁰

This structure suggests a deliberate emotional and thematic progression throughout the nearly three-hour performance.

V. Act IV: The Ever-Evolving Show – Setlist Variations and Surprises

While the opening night provides a crucial blueprint, it’s essential to acknowledge that stadium tours of this magnitude often evolve.⁴ The setlist meticulously documented from SoFi Stadium represents the foundation, but minor adjustments, song swaps, or the inclusion of surprise elements are always possibilities as the tour progresses through different cities and continents.

The collaborative nature of Cowboy Carter itself opens the door for potential guest appearances. Artists like Willie Jones (“JUST FOR FUN”), Miley Cyrus (“II MOST WANTED”), Post Malone (“LEVII’S JEANS”), and Shaboozey (“SPAGHETTII,” “SWEET ★ HONEY ★ BUCKIIN'”) feature prominently on tracks performed during the show.¹⁷ Notably, both Post Malone and Shaboozey joined Beyoncé for live debuts of their collaborations during her NFL Christmas Day Halftime Show performance in Houston in late 2024, which served as a preview for the Cowboy Carter era.² This precedent makes surprise appearances, particularly in cities like Houston or Nashville, a tantalizing possibility for fans. Furthermore, artists sometimes introduce different cover songs or pull out rarely performed deep cuts as a tour unfolds, offering unique moments for audiences in specific locations, although no such variations have been reported yet for this tour.

The sheer scale and technical complexity of modern stadium productions necessitate a high degree of consistency night after night.³² Intricate choreography, lighting cues, video synchronization, and stage mechanics rely on a largely fixed structure. However, maintaining energy and engagement over a run of 32 shows often benefits from subtle shifts. Beyoncé herself has demonstrated a commitment to this balance; during the Renaissance World Tour, she famously wore different custom outfits for nearly every performance, showcasing variation within the established framework.¹³² This history, combined with the collaborative potential inherent in Cowboy Carter, suggests that while the core setlist and structure detailed from opening night will likely remain stable, fans attending later dates might well witness unique flourishes, guest spots, or minor setlist tweaks designed to keep the experience fresh and dynamic.

VI. Conclusion: More Than a Concert, A Cultural Statement

The Cowboy Carter Tour setlist, as unveiled on its opening night, is a rich, sprawling tapestry that confirms Beyoncé’s unparalleled ability to curate a live experience that is both deeply personal and universally resonant. It’s a journey that dives headfirst into the world of Cowboy Carter (Act II), performing almost the entirety of the groundbreaking album, while simultaneously building explicit bridges back to the celebratory energy of Renaissance (Act I) and revisiting pivotal moments from across her iconic discography. The nearly three-hour performance is a masterclass in sequencing, thematic development, and artistic integration.

Through carefully chosen covers like “Blackbird” and “Jolene,” Beyoncé doesn’t just entertain; she reclaims narratives, challenges genre conventions, and pays homage to the Black roots of American music.⁵ The inclusion of older hits and the intricate weaving of medleys and interpolations create a dense dialogue between past and present, reinforcing the album’s themes of history, lineage, and resilience. The spectacle—from the star-shaped stage and flying elements to the powerful visuals and intimate family appearances—serves not just as eye candy, but as a vital component of the storytelling, amplifying the emotional and cultural weight of the music.

Ultimately, the Cowboy Carter Tour, as reflected in its meticulously constructed setlist, transcends the definition of a mere concert. It is a continuation of the vital cultural conversation sparked by the album, a dynamic exploration of identity, history, and the boundless possibilities of artistic expression. It solidifies Beyoncé’s position not only as a supreme entertainer capable of commanding the world’s largest stages but as a visionary artist who utilizes that platform for profound cultural commentary and celebration, offering a performance that is as intellectually stimulating as it is viscerally thrilling.

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